The Sound of Polymetry is a perceptual experiment in which language behaves like an acoustic model – it does not signify, but resonate. The fragmented rhythm of space and time does not follow the logic of meaning, but enacts its disintegration. The internal movement of the text – collision, dissolution, echo – seems to attempt describing the physics of a soundless dimension in human terms. This linguistic topography is shaped not by a guiding thread, but by repetitions, omissions and slippages: the poem does not ask to be interpreted, but inhabited. Here, silence is not absence, but tension – and perhaps the whisper of a parallel reality.
